August, Third Week :: 2021

My youngest moved out on Monday, off to the Midwest for nursing school. I’ve been getting myself ready for this the last couple of years so of course I’m a wreck right now. There’s really no way to adequately prepare for these big transitions, is there? I’ve been self-medicating with junk food and naps, but clearly this can’t go on much longer. ;) On top of that, the hard drive on my computer died without warning, taking with it three years of stories and about three months of work on the novel (and no, none of it was backed up.) I have been swinging through horror, grief, guilt, and despair pretty much every day since then. I had a day or two where I took it as a divine sign that I’m not supposed to write at all (what can I say? I write fiction, I’m dramatic) but within a couple of days stories began to whisper themselves in my dreams and potential words were dancing in my head like sparks over a camp fire and I realized this is just one of life’s ordinary obstacles, not the end of any roads at all.

So, once the tide of emotions and change passes, I will pull up the novel where I saved it to an external hard drive last May and begin again. Again. This time with better back up plans.

In the meantime, I’m exercising what little grace I have for myself and doing the things I know to do to get through. No strict regimens, extra sleep, lots of fiction and time outdoors, no brand-new projects to imagine myself being perfect at, no news, no reading about issues or world-problems, just a lot of comfort and distraction - whatever that looks like day by day.

I hope your August is going more smoothly than mine, but wherever you are, however it’s going, will you please go back up your computer for me right now? Thanks. :)

Lots of love. More writing to come. That novel is GOING TO GET FINISHED, I promise.

xoxo

tonia (accompanied by vegan cheese crackers and about 20 chocolate bars)

Comfort duck.

Gathered:

~ For those of us who can’t (or don’t want to) enroll in an MFA program, Anna has created a really lovely self-directed option. I had her create a one-quarter fiction syllabus for me which I’m going to work at slowly over the winter and it is wonderful. Challenging, creative, deep, and exciting. Find out more about it here.

~ Louise Erdrich’s agonizing (for a perfectionist) poem and advice, which I am listening to repeatedly. (HT: Kyce Bello, whose poetry book, btw, is a safe space for those wrestling with climate despair.)

~ This from Lyanda Lynn Haupt’s Pilgrim on the Great Bird Continent:

“We watch, hopefully. We keep watching. We fill our days with care, watching our words and minding our vision, and our evolution continues. We branch, we rise.”

August, First week :: 2021

Seems like every afternoon lately, Laika and I have been up on the pasture for a few hours.  I write, or read, she stares at the blackberry hedge waiting patiently for the ground squirrels to make a dash for the compost bins or scuttle back to the safety of their dens.  A band of coyotes has moved onto one of the empty lots around us and we can hear them witch-howling on and off throughout the day.  It’s an eerie soundtrack to write by (perhaps that’s what has inspired my latest short story about a woman whose monthly cycle is…transformative.  It’s been a hell of a lot of fun to write and imagine.) 

I’ve made some peace with this, my least favorite month.  As you might have learned if you followed the PNW heat dome news, most of us don’t have things like air conditioners here.  August is a month to be endured before we get back to our lovely temperate weather.  Or that’s how we used to handle it, anyway.  Summers are hotter now overall, of course, and I despair a little at the thought that this is only the beginning of increased heat, but there is little to be gained by fretting about it.  Best to just lean in and enjoy what is here now.  Long afternoons in the shade writing under my beloved Grandmother Maple, the wild sweet peas climbing the hill, blackberries scenting the air, apples slipping from their branches and landing with a soft thud in the grass, the local osprey calling to her mate over the treetops.

I’ve been guarding my time diligently lately.  I’ve discovered a secret about my creativity – it’s thirsty for silence.  I’m cushioning my days with the quiet, leaving my phone untouched until late in the morning, eschewing tv and movies or youtube videos in the evenings.  Books are what I crave, poetry and mystery and beautiful language.  And nature, long draughts of sky and grass and cool darkening evenings.  That’s where the stories live, whispering to me, calling like the late-summer crickets, a song that lives just under the noise of the busy, busy world.

 . . .

Last week I was going through some boxes in the attic and found one I’d saved from high school.  I was a sentimental girl, I kept papers from all my classes, every note I’d ever received, a packet of my first attempts at poetry.  I only got through about a quarter of the box before I had to walk away.  That deeply earnest girl, desperate to find approval in a dangerously religious school and church made my heart break.  I’d like to set her free from the stifled years ahead, the agonizing grind of trying to fit into a space she was never made for.  I wish I could whisper to her that she would be happy one day, that it was okay to trust herself.  I put the box back in the attic, but I have plans to get it out again around Samhain (Halloween). Last year we began a tradition of burning the year’s ghosts and regrets in a bonfire and I will put much of that box into the fire and release it.

I remember a time when it was hard to imagine letting go even of the things that brought me pain. I thought I might need to hold onto those reminders so I could see who I was and how I got there, but I’ve reached a place now where I’m comfortable with just being who and where I am without needing to retrace the journey over and over. What a relief.

I hope wherever you are this August is not too hot (or too cold, for you Southern Hemisphere folks!) and you are finding your own rest and inspiration and freedom. I’d love to hear about it if you are. Your notes and comments help me feel like I’m not writing into the dark, so thank you for the times when you have those moments and inspiration to chat. I appreciate you!

Peace keep you, friends.

Gathered:

:: This excerpt from L.M. Sacasas’ amazing newsletter, The Convivial Society.

 [Ivan}Illich understood what I think most of us are unwilling to accept. Endless wanting will wreck us and also the world that is our home. By contrast, our economic order and the ostensible health of our society is premised on the generation of insatiable desires, chiefly for consumer goods and services. Your contentment and mine would wreak havoc on the existing order of things. “That’s enough, thanks,” is arguably a radical sentiment. Only by the perpetual creation of novel needs and desires can economic growth be sustained given how things presently operate.1 So just about every aspect of our culture is designed to make us think that happiness, or something like it, always lies on the other side of more.

:: Last week I was talking with a young guy at the coffee shop who told me that he found it ridiculous that he was expected to have opinions on so many things when he hadn’t experienced enough yet to build an opinion. I wanted him to repeat that louder for the rest of us. What a refreshing idea: “I don’t know enough yet to have an opinion!” In the same vein I’ve been thinking about how so many of us keep our emotional equilibrium by avoiding the news. I need to do that, though it creates its own cycles of guilt and angst. I want to stay informed and I really want to know how to respond to the needs of the moment. Lately I’ve been taking a page from Ryan Holiday and leaning back into history instead of forward into the constant doom-reports. I can learn just about everything I need to know about race or gender, the pandemic response, and why political parties can make such agonizingly self-absorbed decisions just by going to the past. And I can skip the hysteria of the local newscasters or twitter feeds telling me what to think. That’s a win.

I just finished Heather Cox Richardson’s How the South Won the Civil War, which has the fascinating premise that Civil War ideologies about white male power and property were transferred to the West after Reconstruction and emerged in the mythology of the Cowboy. Ayup, I can see that. Let me know if you have any favorite history authors or sources. I’m not a huge fan of biographies, but I love to read the evolution of ideas and events. If we get a good response, I can post a list of resources here!

:: This time of year I try to sleep out on the deck at least one night. Call it a micro micro adventure. There’s no shame in wanting to be out in nature while also being close to comfort. ;) This year we slept under the full moon and woke with the sun, did some yoga in the cool air, then climbed back in bed to read and drink coffee until it got too hot. That was a pretty good day. I hope to fit in another night out or two.

 :: Lastly, this quote from James Baldwin, whose birthday was yesterday. It’s giving me life right now as I constantly grapple with the fine line between appealing to readers and being true to myself.

 “A writer is by definition a disturber of the peace. He has to be. He has to make you ask yourself, make you realize that you are always asking yourself, questions that you don't know how to face.”

July, Second Week :: 2021

Red dragonfly, misty morning.

That’s my alternative title for this post based off an ancient Japanese calendar I read about recently. In this way of time-keeping, the year was divided into 24 seasons, and each of these was further divided 3 times into a total of 72 seasons, each lasting 4-5 days. These miniature seasons were given lovely, poetic names based on what was happening in nature. (e.g.“Warm winds blow”, “Hawks learn to fly” )

There are so many reasons I love this way of season-keeping, mostly because it requires attendance to the subtle shifts and nuances of change as we move through the year, but also for the invitation to grace the passing days with poetry.

Right now we are in a bit of an upheaval at Fernwood. Outside, the house is being painted and the decks repaired. Inside we are preparing to downsize and shift our living quarters so a soon-to-be married daughter and son-in-law can share our home for awhile. All my curated corners for sitting and thinking are upended, there is always a contractor (agreeable and helpful as they are) just where I want to be, and there’s no end to the amount of decluttering and reorganizing waiting for me. How necessary then to have a place where poetry can enter and soothe.

Red dragonfly on wild sweet pea.

Misty morning, thirsty ground.

House waits with folded hands.

…

Yesterday I carted one of the plastic adirondack chairs out to the center of the yard, out of the path of the contractors, just on the edge of the walnut tree shade so I could write. I remember Sylvia V. Linsteadt saying in an old blog post that she tried to spend one day every week out on the land “tracing the songlines of that beloved wild place, so that my work remains infused with its many voices.” I’m determined to put myself in connection with the land and all that it speaks to me every day, even if that happens in fragments and requires listening for the squabble of bluejays over the “sounds of the 80’s and 90’s” coming from a contractor’s radio. In my classes this last spring, I realized I don’t really need more formulas and instruction on basic writing. What I need instead is to loosen something inside and explore outside my domesticated self. Practices like writing outside by hand not only help me listen to the wild places, but also help me access parts of myself that have been shuttered so I can create freely (something that didn’t feel possible until I left religion behind, but that’s a post for another day.)

After I finished writing yesterday, I spent an hour re-watching a talk by Ray Bradbury and making plans to write a short story every week as he suggested. He assured that you can’t write 52 terrible stories, so I hope I’ll be able to share some of those in the Story Room throughout the year. And, of course, I’m still working on the novel as well! In fact, I’m going to wrap this up and get back to work on it.

I hope you will find some peace, poetry, and freedom on your own path this week, no matter what is going on around you.

Gathered:

~ Ryan Holiday’s videos on being an active reader and making time for reading.

(FYI, I’m reading Heather Cox Richardson’s How the South Won the Civil War: Oligarchy, Democracy and the Continuing Fight for the Soul of America and Graham Joyce’s The Limits of Enchantment right now.)

~ This funny, smart essay by Caitlin Flanagan: You Really Need to Quit Twitter

“Surely Joan Didion has confronted her share of aggravations (cucumber slices not adhering to tea sandwiches; Lynn Nesbit calling during NewsHour; latest Celine sunnies too big for tiny, exquisite face). But would she ever take to Twitter to inscribe these frustrations onto the ticker tape of the infinite? Of course not. She would either shape them into imperishable personal essays or allow them to float past her and return to the place from which they came.”

(I just marked two years without social media accounts. I echo everything Flanagan (and her family) has to say.)

~ Bob Dylan:

“A library is an arsenal of liberty.”

A bientot mes amis.

June, Fourth Week :: 2021

Here we are friends, closing the door already on June. I’m writing from the darkness of my bedroom, trying not to move too much as the temperatures have been so high the last three days and the air is thick with heat. We have one more day to go the forecasters tell us, 115 F today and then we’ll be back down into the 90’s, temperatures I’d normally be complaining about for our temperate climate, but now am happily looking forward to.

Since I wrote last (hello, hello to new readers and old friends!) I’ve finished my first term of school, turned 50 (woot!), celebrated our 30-year anniversary with a week on the mountain (the photos are from that trip) and started putting my house back in order after weeks of neglect. I’m just about ready to enjoy summer now!

Back in the spring, when the new flowers and leaves were beginning to reveal themselves, I told myself I wanted to start keeping a date journal of all the season’s firsts: First maple catkin, first tulip, first returning swallow, etc. but I was so busy with classes I kept procrastinating or forgetting. Now that we are sweltering under this strange heat dome, climate change feeling incredibly urgent and imminent, I keep thinking about how I wished I’d been charting such things for the last decade. I know the roses were early this year, and the first bumblebees, but I don’t know by how much. I think that information is going to matter as we continue down this path.

Not long ago I read Michael McCarthy’s Moth Snowstorm in which he talks about the abundance of wildlife all of us over a certain age used to encounter once upon a time. It’s true, as a young child in the 70’s, living both in the country and the city, I can remember finding hordes of insects, ponds full of frogs and tadpoles to be carted home, bushes full of butterflies and bees, nights dancing with moths. Between 4th and 5th grades, I must have “rescued” a dozen baby birds that had fledged or fallen from nests. Their disappearance happened so gradually I didn’t realize that my own children were rarely encountering these creatures. My children’s children will encounter even fewer. We are living in a slow-motion erasure.

Sam Lee, in a recent Emergence Magazine podcast, talked about that reality and said we have “an ever present need to fill our hearts with the richness of our land’s offerings.” There is grief we must contend with, he continues, but nature itself operates in the present and is always inviting us to see and experience and enjoy.

That’s my plan for the foreseeable future: to pay attention and enjoy, to open my eyes and ears (and my notebook!) and take it all in. I also hope to get back into a writing rhythm here. I’m not sure if I’m going to be in school full time in the fall or not. I loved, loved, loved school and will continue to go, but I missed a lot of things that are important to me over those twelve weeks. Things like having the time to cook a meal without stress, keep a tidy house, mental energy to read books, time to write and take long walks, time to garden and grow. In the culture of “do more and accomplish” none of those things are necessarily reasons to slow down, but to me they are essential parts of living a quality, meaningful life. I think in the future, school is going to be something I add to my already busy and happy days, not something that takes over all of them. We’ll see.

For now, summer, and paying attention.

More soon. Much love.

tonia

April, Fourth Week :: 2021

Happy Earth Day, friends!

Last year I took a whole Earth Day to myself, hiking and spending time outdoors. I thought I’d make an annual tradition of it, but this year I’ll be indoors most of the day on Zoom classes instead. There will be a couple of free hours in the afternoon though, and I’m marking them out for the woods. Just the thought of time under the trees, the air scented with bluebells, will get me through the morning.

This week has been a roller coaster of insecurities and weariness. I had a glimpse of what it is going to be to study writing for the next few years and how I will need to be strong in my ideas and instincts while still being teachable. The experience shook me up a little, but fortunately, just when the doubts about my path started to creep in, words came to rescue me. I picked up The Living Mountain, Nan Shepherd’s acclaimed book about the Cairngorm mountains, and began reading Robert MacFarlane’s introduction. He puts great emphasis on the fact that Shepherd had a “modestly regional life,” but “she came to know her chosen place closely, …that closeness served to intensify rather than limit her vision.” She wrote differently than other writers of her time. A close male friend told her the book will be “difficult, perhaps,” to get published and closed off his note with a patronizing jab. The book languished for forty years and even now, beloved as it is by many, is difficult to describe. I was reading this out under the evening sky, out where God moves among the trees and whispers loud enough for me to hear, so maybe you will understand that a feeling formed inside of me, a determination to stay my course, to lean into what I know is my own voice and not be shamed by the limits of the world and experience I draw upon.

“To know fully even one field or one land is a lifetime’s experience. In the world of poetic experience it is depth that counts, not width. A gap in a hedge, a smooth rock surfacing a narrow lane, a view of a woody meadow, the stream at the junction of four small fields - these are as much as a man can fully experience.”

~Patrick Kavanagh (quoted in MacFarlane’s introduction)

Right now on this little patch of earth, I have marked the arrival of the first Honeybees, a Bumblebee Queen, the return of the Violet-backed Swallows, Nettles and Rhubarb and Plantain and a dozen other old friends. What a privilege it is to experience and know this land year after year, to be shaped by it and shape my words around it.

Small, slow, and deep is how I want to continue on.

. . .

As a side note, I want to say that just because I don’t always write about current events here, doesn’t mean I don’t keep track of them or speak up about them, k? I care deeply about and participate in the work of justice in my own community and write about issues when I need to or feel I have something to add to the conversation. Thanks for understanding. xo

---

Gathered:

~ More on Nan Shepherd and The Living Mountain

~ Mads Mikkelson’s thoughts on ambition:

My approach to what I do in my job — and it might even be the approach to my life — is that everything I do is the most important thing I do. Whether it’s a play or the next film. It is the most important thing. I know it’s not going to be the most important thing, and it might not be close to being the best, but I have to make it the most important thing. That means I will be ambitious with my job and not with my career. That’s a very big difference, because if I’m ambitious with my career, everything I do now is just stepping-stones leading to something — a goal I might never reach, and so everything will be disappointing. But if I make everything important, then eventually it will become a career. Big or small, we don’t know. But at least everything was important.

~ Madeline Forman becomes a recording artist at 94. Have a listen to her at 17.

~ Last year’s (long!) Earth Day post.

Much love, friends.

tonia