resistance :: June 20, 2023

Once upon a time, last spring, a dozen small ducklings sailed in a box on the U.S.S. Postal Service and arrived at my door. The journey was short, but long. They traveled in the dark. Cold air seeped in through the holes in the box, the tiny cup of water ran dry. When I opened the hatch two days later, the ducklings peeped with relief and questions. I tipped them out onto the rug and they ran around in confused circles until I boiled an egg, chopped it into pieces, and floated it in the refilled water cup. The smell reminded them of home and tasted like a place they once knew. Their tiny heads got heavy and they fell asleep on the rug in a pile shaped like a box.

They grew and died, one by one. That same year in the woods a coyote family and a wandering bobcat grew sleek and clever on a diet of hopefully tended duck. When the slugs emerged the following spring to eat the daffodils, I mourned the gap in our small food-chain, but I did not open the emails from the hatchery. When I drove past the feed store, I stubbornly refused to read its announcements until hatchling season had come and gone.

It was not a time for ducklings. Everywhere, suddenly, people went to get a pint of ice cream, or a pair of pants, or a chance at a new life, and died. The people who were left began to run around in confused circles. No one knew what home smelled like anymore. Hardly anyone could sleep, but when they did, they lay alone in the dark, flinching at strange sounds and clicking their thirsty tongues.

My news feed in those days was buzzing with a story about a newly discovered flower somewhere west of the Pacific. It was a color no one had ever seen before (though the indigenous people of its home forest had a name for it so ancient it could no longer be pronounced). It would only bloom when held in the hand of a child still in its innocence. Beauty was in demand, as was innocence, so a black market of seeds sprang up almost instantly, but when the seeds arrived, the gardeners discovered all the children had grown up overnight. The seeds were put in the ground or thrown into the compost and forgotten. During this time, messiahs roamed the country selling sachets or truth serums, or more rarely, bottles of water said to quench every thirst.

One day I was sitting alone in my bedroom thinking of the ducklings. I remembered them sleeping, their bellies full of egg. It was foolish, but I took out my phone and looked at images of them fresh from the box: their downy yellow and black feathers, their dark little feet and beaks. There was a knock at the door; I answered it and found a woman standing there. I could tell immediately she was one of the messiahs. She had a slightly disheveled appearance and there was a twig in her hair. She spoke, but her voice was hoarse and I couldn’t understand her. This embarrassed me, so I looked down at her shoes. They were the kind of shoes you saw sometimes in old movies, little brown oxfords with a sensible heel, slightly scuffed. My thoughts about her softened. The woman rummaged in her bag. I did not want to buy truth serum or sachets, so I shook my head, but she held out her hand anyway. In the center of her palm was a shiny black seed. She put the seed in her mouth and swallowed it. When she opened her hand again, she was holding an egg.

“Come in,” I said immediately. She did. She took off her coat and set the egg on the table. We watched it for a moment to make sure it wouldn’t roll off. The egg was pale blue and incredibly beautiful.

“I would love some cake,” the woman said in her hoarse voice. I was startled. I began to say I had no cake, but the smell of baking had filled the room. On the table beside the egg was suddenly a cake, a pot of coffee.

“Of course,” I said, and we sat down together. The egg lay between us. Sometimes it rocked a little, as if something was inside — a small something, wanting to get out. We watched the egg and ate our cake. The rocking was so slight I sometimes thought I had imagined it.

“No one wants these anymore,” the woman said, hovering her coffee cup just above the egg’s trembling shell. Her voice was smoother now, but a little sad.

“I do,” I said, surprising myself. Between us, the egg was now shell pink. It became very still, almost as if it had never been alive. The woman and I glanced at each other and my cheeks grew hot at how bright my hope had been. She cleared her throat as if she might say something else, but then the egg give a little jolt. A crack appeared near the top. It widened until a small triangle of pink fell off. Beneath it, I could see a tiny, dark unfurling.

“It’s a petal!” the woman whispered.

“It’s a wing!” I shouted at the same moment.

At the sight of this small hatching, a word was on my tongue, a word so old I could almost remember how to say it. I whispered it out loud but not even my ears were quick enough to grasp it. The word curled itself into the air and out the window and spread across and across the sky.

Later, I gave the woman the spare bedroom. When I asked her name, she said, “Many lifetimes, all is coming.”* She was very tired. I politely removed the twig from her hair and left her alone to rest. The house was quiet, all the cake was gone. The egg was where we had left it, sitting in the center of the table, now green as a spring caterpillar, now purple as a bruise. It shed layers of shell, revealing first a glimpse of feathers, then a curl of leaf. It had been that way for hours, for days, for years. I went to the kitchen and got my big porcelain bowl, lined it with a towel and brought it back. As carefully as I could, I lifted the egg and held it for a moment. It was warm, pulsing with its hidden life. As I watched, its shell would crack and split then knit itself back together. Breaking and healing, breaking and healing. I brought it close to my face. It smelled like the damp rot of woods or the sharp saltiness of seahorses or the heat of blackberry leaves in August. I set it down as carefully as I could inside the bowl to wait.


*attributed to Sri K. Pattabhi Jois



Happy Solstice, my friends!

I’ve had that little story in my mind for weeks now. It felt right to get it on the page for this first day of summer. The world is as crooked and splintered as it’s ever been, but I’ve been listening to hope-givers lately. Sitting in the cool early morning sunshine. Weeding the oh-so-neglected garden in five minute bursts. Planting red flowers at every corner of the house. Reading one poem every day. Practicing yoga while it’s still dark. Learning the birds’ voices. Discovering a green heron, a trio of stags, a small ermine. Eating the strawberries as they ripen.

School is finished for the year! It’s been wonderful, exasperating, instructive, and challenging. I love it. But I’ve been looking forward to having the summer so I can get back to my own writing again. Of course, now that the summer is here, so is my internal resistance. I’m continually amazed at my ability to procrastinate about my art. If someone else gives me a task, no matter how inane, I will do it immediately. But I can endlessly put off writing or creating something of my own. Maybe you know the cycle? I plan to write first thing in the morning, but when the morning arrives I have a headache, or I didn’t sleep well, or I decide I really should clean the bathroom first. Or I actually sit down at my desk and write and then I am overwhelmed with fatigue and all I can think of is sleeping. If not fatigue, then a sudden conviction that I am on the wrong path and I was never supposed to write at all. That conviction can send me on an existential spiral for days (in which, of course, no writing gets done). It has taken me many years to recognize this pattern of resistance, but this year, I am more ready for it. I am finally at a place where I can start to ask why it happens. That’s going to be my focus this summer, actually, looking at whatever fear is keeping me from engaging with my own art.

Some things I am doing to conquer resistance and facilitate creativity this summer:

  • Re-reading Christian McEwen’s World Enough & Time very slowly

  • Journaling. So much journaling.

  • Limiting my screen/watching time by taking the browser off my phone (I already got rid of addictive apps) and reducing TV/movie watching to the bare minimum.

  • Walking without music/podcasts/audiobooks

  • Going to nature when I feel fatigue or other physical resistance

  • Setting specific, daily, SMALL, writing goals

  • Affirmations (e.g. My creativity is endless. I have time to write.)

  • Creating space for boredom (“It is in our idleness, in our dreams, that the submerged truth sometimes comes to the top.” ~ Virginia Woolf)

A few weeks ago around my birthday, I walked into town with a backpack of my old journals and sat in the park to read them. The combination of walking in silence and revisiting my old selves (I have many, don’t you?) was a pretty potent experience. At 52, I can see so much of my path now, can see how far I’ve come and how steadily I’ve kept to the same goals even though my experience day by day has not felt that way at all. I’ve been an indifferent journaler most of my life, but still, the words have accumulated. They’ve marked out the edges of my experience and my growth as a woman. I feel so grateful for all the imperfect attempts, all the scraps collected, all the longing and trying recorded there. I’ll keep at it. I have a feeling it’s going to unlock some good things for me this season.

I’d love to hear about your experiences with resistance, or your journaling practice, or whatever comes to mind. I always read your emails and comments and do my very best to respond to each one.

Thanks again for being here.

tonia

Some hope-givers I’ve enjoyed recently:

Reading:

Thinking about:

a midwest journey :: july 2022

Kansas City Skyline

I seem to always get stuck in the middle seat of any flight, so I had to content myself with brief glimpses of the quilted Midwest landscape out my neighbor’s window as we passed over it last week. I never get tired of the patient geometry of the center of the US, the white snakes of road wide enough to disrupt the green and brown grid, the occasional rise of land, a blue glint of lake, a sparkle of river scratching through the earth. On two of our flights I was stuck between strangers, tucking my elbows carefully against my body so as not to disturb the men on either side of me by actually taking up physical space. Once we were in the air, I spent some of my cramped time considering why I feel compelled to perform this deference to others. The men beside me gave no thought to commandeering both the armrests. Probably, if I had insisted on space for my arms, they would have given it to me, but sometimes social pressure breeds a kind of forgetfulness and I resort to long-ingrained habits of being the good, invisible girl.

I encountered that old self a lot while we were visiting Missouri. The subconscious reads the landscape, rings a bell of recognition to tell us how to feel and act. I kept seeing old shadows on the streets, hearing whispers on the drone of hot air. The only features rising from the flat earth were the buildings, an occasional tree. It took me back to summers as a kid in the thin dust of Idaho: blistering pavement, ice cream from a truck, late night church services. One night in our Missouri loft an old memory returned to me in the form of a dream: I was six again, kneeling by the couch to say the sinner’s prayer, crying because the devil wanted me. I woke to the weight of sticky air on my skin. When we got on the plane again and flew home and I saw the shoulders of the mountains emerging, the trees leaping up like they’d been waiting for us, I could feel myself growing cool and green and straight again too, in recognition of home.

Despite the rising of old ghosts, I did love my trip to the Midwest. The best part of travel is the chance to inhabit the lives and places of others and learn a new context. I’m always interested in the narrative of a place, the way weather and geography fraternize with history and tradition to create the stories we live out of. I gathered the heat, the cloudless skies, the tree-lined highways, the churches, the strip malls, the billboards promising redemption and/or judgement, the farmland, the frozen custard stands, the blues singers on the evening sidewalks, the short shorts and tank tops, the gorgeous diversity of faces, the gun and ammo shops, the historical markers, the earnestly waving flags, and found I understood a little better the whats and whys of that place.

On the flight, I had been reading Barry Lopez’ posthumous essay collection, Embrace Fearlessly the Burning World. “…to endure, we will have to stretch our imaginations,” he says. “We will need to trust each other.” Lopez was an uncommonly humble man, always open to learning, with no apologies for who he was and what he stood for, but no hubris to assume his way was the only way.

“And whenever I found myself in those situations, I came to understand that it was always good to hold in suspension my own ideas about what the practical, wise, or ethical decision might be in any given set of circumstances.”

He was a good companion for the journey.


~I also finished Johann Hari’s excellent book, Stolen Focus: Why You Can’t Pay Attention and How to Think Deeply Again, on that trip. It’s validated my decision from 3 years ago to delete my Instagram and most of my social media accounts and try to use my phone as a tool, not a distraction device. It’s also inspired me to work on my deep reading and attention span, which are really just muscles that need strengthening. I’m making good use of the Lady Crawley chairs that I bought at a consignment shop several years ago. They’re perfect for deep reading as they are comfortable, but they force me to sit upright and not slump over and fall asleep. In addition, I keep a pencil in hand for making notes and underlining. It makes a difference! (I’m also intrigued by Ryan Holiday’s suggestion to swarm.)

Hari also contributed to the conversation with Lopez’ work about being slow to draw conclusions:

“I realized one of the key reasons why social media makes me feel so out of joint with the world, and with myself. I think all of these ideas - the messages implicit in these mediums - are wrong. Let’s think about Twitter. In fact, the world is complex. To reflect that honestly, you usually need to focus on one thing for a significant amount of time, and you need space to speak at length. Very few things worth saying can be explained in 280 characters. If your response to an idea is immediate, unless you have built up years of expertise on the broader topic, it’s likely going to be shallow and uninteresting. Whether people immediately agree with you is no marker of whether what you are saying is true or right - you have to think for yourself. Reality can only be understood sensibly by adopting the opposite messages to Twitter. The world is complex and requires steady focus to be understood; it needs to be thought about and comprehended slowly; and most important truths will be unpopular with they are first articulated.”

(If the book is too much, Rich Roll had a great podcast with Hari on this topic. It’s long, but you can break it up over a few good walks!)

~ Pat Barker’s books on the women of Troy (read gorgeously by Kristin Atherton) have been keeping me company on my walks this month. Highly recommended!

Light and love, friends.

tonia

September, Third Week :: 2021

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The neighbor, we think, has a new gun. A semi-automatic from the sounds of it, as he does target (?) practice (?) in the late afternoons. The stutter of explosions ricochets around our tiny valley doubling and redoubling until the dog tucks tail and runs indoors and we follow suit, ears ringing. We’ve lived rurally for over 15 years now and while I will never own a gun, I understand why other people keep a rifle in the back closet. It’s helpful for scaring off coyotes and cougars, dispatching a suffering hen, or bringing home a freezer full of venison. To each her own.

I don’t feel so gracious about the semi-automatic though, and I confess that my neighborly feelings have taken a hit lately. Every barrage bouncing its echo around our woods seems a reminder of all that is wrong with America; I have to bite my tongue to keep from shouting something rude into the void. Honestly, it’s just one of the many ways I’ve been floundering for weeks. The computer fiasco (that is still unresolved, cross your fingers for me!) combined with upended wedding plans (still waiting on a visa), the emptied house, plus the whole world being broke in all the ways…I don’t even know what to do with myself some days.

My funk these last weeks led me, as funks do, to revisit some old social media haunts. Can I just say that two years out from having my own social media accounts I am finding those places absolutely bizarre and frightening now? I scrolled through pages and pages of people turning themselves into set pieces and still lifes, dousing themselves with cynicism, or swimming in a stream of crisis/argument/drama that never stops. I saw lots of beautiful things and a lot of wonderful people, too, of course, but it leads me to wonder what we are doing to our minds and our ability to process, reason, and think independently. (If you’re so inclined, maybe step back a moment and see how much everything in those places looks and sounds exactly the same depending on which pond you’re swimming in.)

It took me a while to shake off the heaviness of that social media immersion, but I’m finding my energy again and thinking about new routines and rituals. I dragged myself back to the keyboard this week to work on a story. (“Why tell stories? We do it because we’re sick of reality and we need to create what isn’t yet there.” ~ Colum McCann) And I’ve got a spare room now, which I’m making into a quiet space for yoga and early morning meditation to start the day. I find that early morning time essential to recovering my calm and equanimity. It’s a place I can deliberately set down the things that cling to me, like my neighbor’s choices or my self-flagellation over the lost work, or the weight of the world’s calamities, and choose to reorient myself toward the peacableness and gentleness I want to inhabit.

“Because the mind is an important and sacred place, keep it clean and clear.” ~ Ryan Holiday

Next week I have plans for a little Autumn reset, an idea I gleaned from my Ayurvedic counselor. Autumn is my golden time of year, but I often find the transition from summer to fall a little harsh, so I’m going to take a couple of days to eat simply (gentle foods and warming broths) and rest my mind and body around the Equinox.

I hope that will lead naturally into my other Autumn goals:

  • retreating from Internet persuasion,

  • seeking less commentary and pursuing more deep reading,

  • taking in less news and spending more time around a table in conversation*,

  • making fewer plans and doing more consistent, patient work on whatever is in front of me.

Plus all the good baking and cooking with autumn foods, leaf walks and rainy days, and the first fires in the woodstove to look forward to.

Do share what plans you are making for Autumn and what ways you are finding peace in the midst of the world’s noise and complexity. I look forward to hearing from you.

xo

tonia

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Gathered:

~ Finished the delicious translation of the Reynard the Fox tale this week. Gorgeous Old World storytelling featuring the wily, feral, charismatic Reynard evading the King and his crowd and naturally exposing the hypocrisy and machinations of power. Beautiful interiors, food, and vocabulary (plus female characters who are useful and intelligent!) Such a fun change of pace from my usual reading.

~ The Hawthorns are ripening here so it’s time to make Hawthorn Cordial again. Last year I served this at our Samhain dinner and it was delicious.

~ My daughter is writing the most charming kid’s novel about a girl who moves to France and can talk to animals. It’s absolutely fabulous. (And so is she.) You can find her website here and if you want to cheer her on, subscribe and help her grow a community online. <3

~ Mary Beard’s lecture on the classic myths and how they aid the cultural exclusion of women from power. “The ancient world is preoccupied with gender because patriarchy is never easy with itself.” I’m looking forward to getting her book, too.

*Ivan Illich: “Learned and leisurely hospitality is the only antidote to the stance of deadly cleverness that is acquired in the professional pursuit of objectively secured knowledge…I remain certain that the quest for truth cannot thrive outside the nourishment of mutual trust flowering into a commitment to friendship.”

July, Second Week :: 2021

Red dragonfly, misty morning.

That’s my alternative title for this post based off an ancient Japanese calendar I read about recently. In this way of time-keeping, the year was divided into 24 seasons, and each of these was further divided 3 times into a total of 72 seasons, each lasting 4-5 days. These miniature seasons were given lovely, poetic names based on what was happening in nature. (e.g.“Warm winds blow”, “Hawks learn to fly” )

There are so many reasons I love this way of season-keeping, mostly because it requires attendance to the subtle shifts and nuances of change as we move through the year, but also for the invitation to grace the passing days with poetry.

Right now we are in a bit of an upheaval at Fernwood. Outside, the house is being painted and the decks repaired. Inside we are preparing to downsize and shift our living quarters so a soon-to-be married daughter and son-in-law can share our home for awhile. All my curated corners for sitting and thinking are upended, there is always a contractor (agreeable and helpful as they are) just where I want to be, and there’s no end to the amount of decluttering and reorganizing waiting for me. How necessary then to have a place where poetry can enter and soothe.

Red dragonfly on wild sweet pea.

Misty morning, thirsty ground.

House waits with folded hands.

Yesterday I carted one of the plastic adirondack chairs out to the center of the yard, out of the path of the contractors, just on the edge of the walnut tree shade so I could write. I remember Sylvia V. Linsteadt saying in an old blog post that she tried to spend one day every week out on the land “tracing the songlines of that beloved wild place, so that my work remains infused with its many voices.” I’m determined to put myself in connection with the land and all that it speaks to me every day, even if that happens in fragments and requires listening for the squabble of bluejays over the “sounds of the 80’s and 90’s” coming from a contractor’s radio. In my classes this last spring, I realized I don’t really need more formulas and instruction on basic writing. What I need instead is to loosen something inside and explore outside my domesticated self. Practices like writing outside by hand not only help me listen to the wild places, but also help me access parts of myself that have been shuttered so I can create freely (something that didn’t feel possible until I left religion behind, but that’s a post for another day.)

After I finished writing yesterday, I spent an hour re-watching a talk by Ray Bradbury and making plans to write a short story every week as he suggested. He assured that you can’t write 52 terrible stories, so I hope I’ll be able to share some of those in the Story Room throughout the year. And, of course, I’m still working on the novel as well! In fact, I’m going to wrap this up and get back to work on it.

I hope you will find some peace, poetry, and freedom on your own path this week, no matter what is going on around you.

Gathered:

~ Ryan Holiday’s videos on being an active reader and making time for reading.

(FYI, I’m reading Heather Cox Richardson’s How the South Won the Civil War: Oligarchy, Democracy and the Continuing Fight for the Soul of America and Graham Joyce’s The Limits of Enchantment right now.)

~ This funny, smart essay by Caitlin Flanagan: You Really Need to Quit Twitter

“Surely Joan Didion has confronted her share of aggravations (cucumber slices not adhering to tea sandwiches; Lynn Nesbit calling during NewsHour; latest Celine sunnies too big for tiny, exquisite face). But would she ever take to Twitter to inscribe these frustrations onto the ticker tape of the infinite? Of course not. She would either shape them into imperishable personal essays or allow them to float past her and return to the place from which they came.”

(I just marked two years without social media accounts. I echo everything Flanagan (and her family) has to say.)

~ Bob Dylan:

“A library is an arsenal of liberty.”

A bientot mes amis.

April, third week :: 2021

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I marked off my 120th day of writing this weekend and decided to take a few days off to reset my goals. I’m stuck on one chapter of the novel rewrites and I need a little bit of time away from it to get some perspective. I was feeling bad about how slow these rewrites are going, but then I came across James Baldwin’s admission that writing is just hard. “Every form is difficult, no one is easier than another. They all kick your ass. None of it comes easy.” Amen to that.

I asked Mark to take the long way home tonight, around the dike on the low-lying road that curves around farms and newly bright fields. We rolled down our windows and drove slowly, letting Bortkiewicz’ Lyrica Nova play out into the sunset, something we’ve done for years whenever we need to unwind. These first weeks of school I’ve had a hard time figuring out how to find real rest, but I’ve at least remembered that it begins with a little time and a bit of nature, even if it’s only seen from the window of a moving car.

The moon hung over us as we drove, a bright sickle against the blue sky. She’s moving through her cycle again, patient and constant while our world keeps fracturing and wounding itself. All around us green blades pushing up through soil, rogue daffodils in ditches, flit of deer shadows among the cottonwoods, moth dance above the windshield. Inhale. Exhale. Tomorrow I’ll get back to studying, back to learning how to write, because as James Baldwin says:

“You write in order to change the world, knowing perfectly well that you probably can’t, but also knowing that literature is indispensable to the world. In some way, your aspirations and concern for a single man in fact do begin to change the world. The world changes according to the way people see it, and if you alter, even by a millimeter, the way a person looks or people look at reality, then you can change it.

Let me know how you’re changing the world today, friends. xo


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