best of the books, 2020

Happy, happy new year (AT LAST) my friends! Since I’m not getting any newsletters out right now, here’s a little end of year reading update. I finished 107 books this year which was a pretty good year for me. These are the ones that stand out in my memory (with some of my Goodreads notes included):

Nonfiction:

On Immunity: An Inoculation - Eula Biss - My son gave me a copy of this well before the pandemic arrived, but it’s certainly timely now. Biss writes as a mother, with a mother's perspectives and concerns, in pursuit of understanding the history of vaccination, the fears around it, the science we know and don't know, and the ways our lives are changed because of it. She is empathetic, real, curious, and human in her responses to what she uncovers. The book is not so much an argument for vaccination as an exploration of what it means to be a parent, what it means to live in community, our dependence on each other, and the real challenge of fear. The book is imminently readable and approachable. Highly recommended.

Distant Neighbors: Selected Letters of Wendell Berry and Gary Snyder - Wendell Berry and Gary Snyder have two very different approaches to life (WB is an agrarian in the Christian tradition, GS is an environmental activist and Zen Buddhist) but both men are poets and writers who managed to forge a respectful and affectionate friendship through the years. I was so touched by their admiration and respect for each other's work, for the way they capitalized on agreement and went to each other for understanding their own biases and assumptions. My own affection for both men grew as I read their correspondence, but I was most taken with Berry, whose quiet humility, thoughtfulness, integrity and goodness shines through. What a lovely book for these fractious days.

Stamped From the Beginning - Ibram X Kendi - I don't feel qualified to judge the merits of this book as a history text - as I read I began to think of it more as sitting down with an intelligent, informed neighbor to hear their side of an ongoing story. It was powerful, shocking (not to discover that racism is pervasive, but to realize how much of it I've passively accepted in my life), humbling, and infuriating.

It is a long book, over 500 pages, and densely written. At times, I thought Kendi wielded his labels a little too broadly, but as I said, I considered the book from the standpoint of hearing a version of my history from a necessary and informed perspective rather than a precise history (though, as I said, I'm simply not qualified to judge it on those merits.) Still, it's an outstanding, eye-opening, and disturbing work that I wish everyone could read.

Poetry:

Deaf Republic - Ilya Kaminsky -

"We lived happily during the war
And when they bombed other people's houses, we
protested
but not enough..."

"At the trial of God, we will ask: why did you allow this?
And the answer will be an echo: why did you allow this?"

A parable/poem about a town's response to oppression and occupation. When a deaf boy is shot in the street by a soldier, the townspeople choose to become deaf. A moving challenge to our collective silence and our acceptance of atrocity.

Refugia - Kyce Bello - Refugia are habitats of retreat, where organisms and ecosystems go to try and survive. Kyce Bello takes that idea and explores what it means to be alive now, in a world that is changing, where much of what we love is dying. What does it mean to be a mother now? A child? How do you make plans to survive? How do you bear the weight of guilt? What will carry on? What will be left behind?

An absolutely beautiful and timely collection that has held my hand through all these pandemic days and will go on and on with me through the years ahead. (In fact, I keep a portion of one of these poems in the footer of the blog.)

Fiction:

Less - Andrew Sean Greer - I just loved this. It reminded me of a P.G. Wodehouse novel - if Wodehouse made Bertie Wooster a gay, middle-aged, slightly lost novelist and set him loose in the world without Jeeves. Sweet, funny, and quite brilliant. Nice skewering of the publishing world and writer's egos. It was a charming break from the too serious reading I've been doing.

Weather - Jenny Offill - I kept hearing how strange Offill's writing was, so I put off reading her. My bad. I absolutely loved this, and I love her style. It takes tremendous skill to pull a narrative along in short paragraphs. I thought it was brilliant. And the subject matter - a woman's anxiety about climate insecurity - is imminently relatable.

Writers & Lovers - Lily King - This story of a young woman trying to finish her novel and work through grief is one of my favorites this year. King's descriptions of the inner-anguish of novel writing alone would make this a keeper, but she has also created a protagonist that is easy to like and easy to root for.

Drive Your Plow Over the Bones of the Dead - Olga Tokarczuk - A strange little murder mystery with a grouchy, complicated, astrology and animal loving protagonist. (Somehow connected in my mind with Ottessa Moshfegh’s Death in Her Hands, which I also enjoyed a lot.)

Black Sun - Rebecca Roanhorse - Fantasy set in pre-Columbian America? YES. Fabulous world creation, characters, intricate and interesting plot, great writing. Crows. Amazing. Can't wait for the next installment.

I’d love to hear any of your favorites, so please feel free to share! (I also love to hear about books you hated and why. Unlike last year (I’m looking at you, Where the Crawdads Sing) I had a pretty good run and don’t have any books I want to burn in the New Year’s bonfire, but if you’ve got one, do tell! )

a list of things to keep, for the Solstice

Sunday morning we got up early and went for a walk to watch the (near) Solstice sunrise. The sun was hiding behind a solid bank of stainless steel clouds, so it was more like an awakening than a rising, but we were glad to be out of doors to welcome the turn of the year anyway. It had been raining for hours by then and the path was littered by the last of the fallen leaves and long pink earthworms drummed up from their hideaways; egrets made patient stalks of the farm fields, arrows of geese passed overhead going north and south and every direction in between. I try always to be out in nature near the Solstice. That’s when the carnival of my mind can settle down and I can start thinking about the new year ahead and what I want to bring to it.

I’ve had so many conversations with friends lately trying to make sense of the world as it is, going over and over the possible whys and hows and wondering if it will ever be healed, but this morning watching the light on the winter grasses, I thought how weary I am of the striving, how ready I am to move forward. Not just from 2020, but from a lifetime of carrying too much weight that was never meant for me. Perhaps you can relate.

The lovely Niamh at Fairlyand Cottage posted a video yesterday about the 10 habits she was going to keep in the new year, and it just fit my mood. Let go the striving and focus on carrying good things forward. I thought about it quite a bit last night and made myself a list of things I have been consciously working on and want to continue in the new year.

Here it is.

I want to continue:

• moving away from a culture of suspicion and distrust and into my more natural state of openness, belief in the goodness of others, and hopefulness.

• releasing myself from relationship and association with those who want to stay in that culture (this is boundary setting for me, not a prescription for anyone else)

• releasing myself from dogmas

• healing my relationship with the feminine by cultivating friendships with women, removing internalized patriarchy, and believing myself

• finding middle ground. Avoiding bandwagons, slogans, labels, and easy jargon. (Work In Progress, for sure)

• not internalizing judgement or criticism from people who are not in relationship with me or who have not taken time to understand me

• cultivating generosity through deliberate giving, deep gratitude and presence, and a mindset of abundance (another very much Work In Progress)

• celebrating the ordinary year with small observances (the Wheel of the Year follows the natural world and makes it easy to be present to the time and place I’m in)

• nurturing myself through

  • daily yoga (I’m doing yin yoga every other day and it is life-changing)

  • walking (I’d like to double my mileage this year)

  • herbal infusions (which help balance hormones, mood, and energy levels)

  • Ayurvedic practices like abhyanga

• making small, daily efforts in writing (I’ve tried a lot of schedules, but this is the thing that works best for me, and it’s how I’m jump-starting my practice again after a long Covid-hiatus)

• building efficient and sustainable systems in my home and work (more permaculture principles, less waste, less consumption, more focus)

• beginning the day with poetry (I copy one poem by hand and read at least one other)

• learning new skills (currently: knitting, sourdough, and herbal studies)

• delighting in whatever feels magical to me: stories, music, art, nature, friendships, and more

• growing flowers everywhere

• challenging myself with books and movies that force me to pay close attention, be patient, and stretch my understanding and comfort level (with lots of room for entertainment too, of course!)

• working on an ebook version of my first novel to share with everyone

It was such an encouraging practice to sit down at this turn of the season and think about what is already working for me and see that I have actually put many good things in place. I don’t really need to make aspirational lists for the new year. I just need to carry on, a little bit every day. What a good feeling at the end of a year that often felt really bad!

I’d love to hear from you too. What is working for you? What good things have you done and want to keep doing?

Sending my heartfelt wishes for a lovely Christmastide to you all.

Happy Winter!

tonia

Writing soundtrack for this post: Henryk Gorecki, Symphony No. 3

Synchronous:

“My work: to do more than reproduce the toxic stories I inherited and learned…My work: to write poems that make my people feel safe, seen, or otherwise loved…”

Jose Olivarez - Ars Poetica

the dark beautiful

I’m drawn to these burrow-down weeks, their shrunken hours, the sunlessness that parentheses the days. My animal-self curls inward and rests. I’ve always been drawn to the dark - not the darkness of demons or evil intentions - but the female places, womb-like and secretive, where seeds go to work, where death is turned back into life.

I love all the seasons, truly, except maybe the fierce, draining energy of high Summer, but these weeks of Advent, these slow unspooling days when we whisper our way toward Solstice and the light’s return are surely some of my favorites.

I’ve borrowed from the Waldorf tradition in planning the Advent observations this year, with its focus on the natural world. Nothing obtrusive, just some candles and whatever beauty comes to hand when I am outdoors. If this year has done anything for me it has worn away any remaining affection I had for the artificial and disconnected. In these Winter days I will find the dark beautiful, the aging leaf, the barren and the damp, the biting morning air, as well as the warm and secure house, the candles and lamps, the stocked larders, the loved ones, that make finding such beauty possible.

I wonder if my welcome of the darkness is exaggerated by the intensity of the year we are leaving behind. I read my journal entries from early 2020 like they are from a stranger’s diary. Who was that woman so confidently and blithely moving forward? These long months have scoured away the last of my pretense - and strangely, much of my anger. I don’t understand the world I live in, I am not as strong as I thought I was, I have given my allegiance to unworthy things. And yet what emerges is not despair or frustration, but peace.

Just recently I have woken in the mornings with words on my mind. I’d thought, maybe, my identity as a writer was dying with this painful year, yet another old skin I was discarding. But of course, like all beings, our creativity must welcome its own winter, its own dark womb of regeneration, in order to keep living. I already know it will emerge changed; I can wait.

I’d love to hear what these Winter days before Solstice are like for you this year. Are you able to welcome the dark hours? Or does it feel too much after all we’ve been through these months? I hope you’ll share.

Soundtrack for writing this post: Olafur Arnalds, Some Kind of Peace

Synchronous: from The Paris Review 234/Fall 2020 John Lee Clark/Line of Descent

“…she

called herself the Black Turtle Lady

because the race is not to the swift. It is to the

slow and sure, certain of who we are.”

"...how to keep from becoming evil..."

I don’t know what else to do with 2020 but just roll with it. Lately my body has been rebelling with aches and pains and general grouchiness against any kind of sitting at a desk so I’ve been putting my energy into moving instead. I can’t remember an autumn when I have written less or been more caught up on yard work. All the bulbs are in, the gardens are put to bed, the herbs are harvested, the roses are pruned, and my yoga game is strong.

Maybe all that physical work is also a way of distracting myself from the state of the country (what in the hell is even going ON, people?!) which is probably a good thing since my Enneagram 1-ness would ordinarily be in high-distress mode about all the ideal-smashing and not-improving that is going on these days.

I mostly gave up alcohol a few months ago, but I’m making it through by being exhausted at night and keeping company with wise mentors. Right now I’m reading Distant Neighbors: The Selected Letters of Wendell Berry and Gary Snyder, which I highly recommend. Both Berry and Snyder have been fighting the good fight (each in their own, often very different, ways) for longer than I’ve been alive. WB had this to say back in 1978, and I’ll leave you with it:

“…living at peace is a difficult, deceptive concept. Same for not resisting evil. You can struggle, embattle yourself, resist evil until you become evil - as anti-communism becomes totalitarian. I have no doubt of that. But I don’t feel the least bit of an inclination to lie down and be a rug either, and now I begin to ask myself if I can live at peace only by being reconciled to battle….I am, I believe, a “nonviolent” fighter. But I am a fighter. And I see with considerable sorrow that I am not going to get done fighting and live at peace in anything like the simple way I once thought I would. So how to keep from becoming evil?

Maybe the answer is to fight always for what you particularly love, not for abstractions and not against anything: don’t fight against even the devil and don’t fight “to save the world.” […]

If you don’t see how much badness comes from stupidity, ignorance, confusion, etc - if you don’t see how much badness is done by good, likeable people, if you don’t love, or don’t know you love, people whose actions you deplore - then I guess you go too far into outrage, acquire diseased motives, quit having any fun, and get bad yourself.”

Be gentle to yourselves. And each other.

with love,

tonia

Portland, July 27, 2020

I have good news: Portland is not burning or trashed! It’s the same old complicated, messy, beautiful, wonderful city it always was. My son and I walked around this morning, about 5 hours after the last protest ended, just to get some pictures and to spread some love. We bought coffees from a favorite spot, searched high and low for a bathroom (seriously, the lack of public bathrooms might be the most unexpected horror of the pandemic, amiright?), sat in the sun at Pioneer Courthouse Square, drooled outside Powell’s Books (which is only open for online orders), and then went to the protest block (yes, one main block) and got a little tear gas residue and a little teary-eyed.

A brief tour of Portland this morning:

Everything’s pretty empty because of the pandemic.

Pioneer Courthouse Square. (It doesn’t usually have polka dots. That’s just a happy art installation.)

Murals outside the Apple store and down the block. Most of these businesses have been closed since the Stay-Home orders.

This is the block right before the protest zone. You can see some graffiti on the parking structure across the street.

This is the Federal Courthouse building where most of the action takes place. It’s made of concrete and marble. It would be very hard to burn it to the ground, even if people were actually trying to do that.

People cleaning up trash in the street.

The end of the block. The buildings you can see further down are also Federal buildings, but we didn’t see much graffiti or damage there.

This is the park across the street from the Federal Courthouse. Protestors have food and medical stations set up here. There’s a lot of talk about businesses suffering from the protests, but this 3 block area is mostly Federal buildings and parks and most businesses downtown are closed or limited service because of the pandemic, so I’m not sure how many are being directly affected by the protests at night.

And that’s it. It’s a strange thing to watch somewhere you love on the news, to hear lies about it and watch it become a pawn in a political battle. It makes your heart grow bigger for that place, makes you want to shield it and defend it. That’s why I went downtown myself today. I can’t control a government’s actions any more than I can control an individual protestor’s actions, but I can witness reality, and I can carry love and peace with me and release it into these precious streets.

(A reading suggestion for such a time: Ilya Kaminsky’s parable in poetry : Deaf Republic)