April, Fourth Week :: 2021

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Happy Earth Day, friends!

Last year I took a whole Earth Day to myself, hiking and spending time outdoors. I thought I’d make an annual tradition of it, but this year I’ll be indoors most of the day on Zoom classes instead. There will be a couple of free hours in the afternoon though, and I’m marking them out for the woods. Just the thought of time under the trees, the air scented with bluebells, will get me through the morning.

This week has been a roller coaster of insecurities and weariness. I had a glimpse of what it is going to be to study writing for the next few years and how I will need to be strong in my ideas and instincts while still being teachable. The experience shook me up a little, but fortunately, just when the doubts about my path started to creep in, words came to rescue me. I picked up The Living Mountain, Nan Shepherd’s acclaimed book about the Cairngorm mountains, and began reading Robert MacFarlane’s introduction. He puts great emphasis on the fact that Shepherd had a “modestly regional life,” but “she came to know her chosen place closely, …that closeness served to intensify rather than limit her vision.” She wrote differently than other writers of her time. A close male friend told her the book will be “difficult, perhaps,” to get published and closed off his note with a patronizing jab. The book languished for forty years and even now, beloved as it is by many, is difficult to describe. I was reading this out under the evening sky, out where God moves among the trees and whispers loud enough for me to hear, so maybe you will understand that a feeling formed inside of me, a determination to stay my course, to lean into what I know is my own voice and not be shamed by the limits of the world and experience I draw upon.

“To know fully even one field or one land is a lifetime’s experience. In the world of poetic experience it is depth that counts, not width. A gap in a hedge, a smooth rock surfacing a narrow lane, a view of a woody meadow, the stream at the junction of four small fields - these are as much as a man can fully experience.”

~Patrick Kavanagh (quoted in MacFarlane’s introduction)

Right now on this little patch of earth, I have marked the arrival of the first Honeybees, a Bumblebee Queen, the return of the Violet-backed Swallows, Nettles and Rhubarb and Plantain and a dozen other old friends. What a privilege it is to experience and know this land year after year, to be shaped by it and shape my words around it.

Small, slow, and deep is how I want to continue on.

. . .

As a side note, I want to say that just because I don’t always write about current events here, doesn’t mean I don’t keep track of them or speak up about them, k? I care deeply about and participate in the work of justice in my own community and write about issues when I need to or feel I have something to add to the conversation. Thanks for understanding. xo


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Gathered:

~ More on Nan Shepherd and The Living Mountain

~ Mads Mikkelson’s thoughts on ambition:

My approach to what I do in my job — and it might even be the approach to my life — is that everything I do is the most important thing I do. Whether it’s a play or the next film. It is the most important thing. I know it’s not going to be the most important thing, and it might not be close to being the best, but I have to make it the most important thing. That means I will be ambitious with my job and not with my career. That’s a very big difference, because if I’m ambitious with my career, everything I do now is just stepping-stones leading to something — a goal I might never reach, and so everything will be disappointing. But if I make everything important, then eventually it will become a career. Big or small, we don’t know. But at least everything was important.

~ Madeline Forman becomes a recording artist at 94. Have a listen to her at 17.

~ Last year’s (long!) Earth Day post.

Much love, friends.

tonia

April, third week :: 2021

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I marked off my 120th day of writing this weekend and decided to take a few days off to reset my goals. I’m stuck on one chapter of the novel rewrites and I need a little bit of time away from it to get some perspective. I was feeling bad about how slow these rewrites are going, but then I came across James Baldwin’s admission that writing is just hard. “Every form is difficult, no one is easier than another. They all kick your ass. None of it comes easy.” Amen to that.

I asked Mark to take the long way home tonight, around the dike on the low-lying road that curves around farms and newly bright fields. We rolled down our windows and drove slowly, letting Bortkiewicz’ Lyrica Nova play out into the sunset, something we’ve done for years whenever we need to unwind. These first weeks of school I’ve had a hard time figuring out how to find real rest, but I’ve at least remembered that it begins with a little time and a bit of nature, even if it’s only seen from the window of a moving car.

The moon hung over us as we drove, a bright sickle against the blue sky. She’s moving through her cycle again, patient and constant while our world keeps fracturing and wounding itself. All around us green blades pushing up through soil, rogue daffodils in ditches, flit of deer shadows among the cottonwoods, moth dance above the windshield. Inhale. Exhale. Tomorrow I’ll get back to studying, back to learning how to write, because as James Baldwin says:

“You write in order to change the world, knowing perfectly well that you probably can’t, but also knowing that literature is indispensable to the world. In some way, your aspirations and concern for a single man in fact do begin to change the world. The world changes according to the way people see it, and if you alter, even by a millimeter, the way a person looks or people look at reality, then you can change it.

Let me know how you’re changing the world today, friends. xo


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April, First week :: 2021

Hello friends!

Phew! My first week of school is behind me. I love it all and I have all my homework done early like a good Enneagram 1. I’m exhausted and also my brain won’t stop churning over all the things and I’m exhausted. Did I say that already? I already regret my arrogance at not taking the easy math path. My children promise me the first couple weeks of term are the worst and I will get into a groove before I know it. (Please let that be true for almost-50 year old brains too.)

I am in love with everything about Community College, especially the egalitarianism of it. It’s open to everyone, it’s cheap(ish), and the professors are not going to get famous and make their careers here, so they’re just the type of people who like to help the ragtag rest of us learn things. And boy are we ragtag. I have to turn off my Zoom camera so I don’t just grin with happiness at all the diverse and wonderful humanity in my classes. Everyone - I mean, mostly everyone I talked to about starting school - told me I would be so annoyed by the young people in my classes, but listen, I AM NOT ANNOYED BY THE YOUNG PEOPLE. I love them. I love the boy who spends the whole class staring at himself and smoothing his hair back, up, down, flip the bangs, every two minutes. I love the kid who refuses to answer any questions posed to him. None. I love the girl who just graduated from her ESL class and always has to ask the meaning of words (you go, girl.) I love the ones who insist we have our pronouns visible next to our names so no one feels unwelcome. I love the spotty, awkward kids whose voices crack when they are called on and the bright-haired extroverts who cannot quit interrupting. The world is just full of interesting and gorgeous humans and I’m so glad to be a part of it. Do I sound excited and ridiculous? I know. But honestly, the world is beautiful and I’m happy to be here.

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We ended March with the most wonderful walk down to the river to see the Full Crow Moon ride the night sky. (I just shot these photos with my iPhone, so please excuse the graininess!) I’m getting better about marking these days with small ceremonies. Full moons are for gratitude, which was a perfect way to end the month and begin a new one with so many changes.

I don’t have much more to offer this week, except an apology for the missed comments and emails I haven’t responded to. I hope I’ll be more coherent next week. Until then, enjoy this strange and wonderful world we live in as much as you can. I hope you get some sunshine and maybe some (appropriately distanced and masked) time with actual people this week.

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Gathered:

~ I make kombucha every couple of weeks. This post from Cat’s gorgeous blog inspired my best batch yet, which I made with rosehips, hibiscus, elderberry, schisandra berry and ginger. Soooo yummy!

~ Johnny Flynn and Robert Macfarlane are releasing a pandemic album inspired by Gilgamesh. ARE YOU KIDDING ME? I can’t even. Preview Gods and Monsters. (Also, Johnny Flynn is the best thing about the new-ish Emma, which has many amazing qualities.)

~ And this reminder from Gladys Taber: “I believe there is nothing so tiresome as an apologetic woman.”

Peace friends,

tonia

March, Fourth week :: 2021

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The new dog, Laika, is a little sensitive. She’s supposed to go to work with my daughter every day but a vet’s office is full of strange dogs and people and noises that make her anxious, so she has to stay home with the rest of us on workdays. I’m not really a dog person, or rather, I like dogs just fine when they belong to other people and not so much when they are my responsibility, but for most of the day Laika is quiet and sleepy and as unobtrusive as the cats, so we get along fine. A couple of times a day she stares at me with the saddest possible eyes until I take her out to the (unfenced) woods so she can explore without getting lost. On Laika-days I am forced out of my homebody-ness and out under the trees in all kinds of weather, something I’ve never been able to do consistently by my own willpower. Which means the dog that I did not really want has become a facilitator of something important for me.

Today while we were tramping around in a different part of the woods I found four plastic jugs full of water tied together with baling wire and buried in the leaf litter near a downed tree. There were rumors around town last year that a couple of homeless men had been sleeping in the old gravel mine that butts up against our property. This is the size of town that knows exactly who the two homeless men are and how they ended up sleeping in the old gravel mine, so I had an instant mental image of those jugs slung over the back of a particular bike on their way to and from town. No one had disturbed the buried jugs for some time, so while it’s mildly upsetting to think of strangers (neighbors?) sleeping in my backyard, I wasn’t really worried as I dug them out. I was wondering instead where the men are now as I haven’t seen them for months. The plague year has closed me in on all sides, put me on the defense, outstretched my compassion.

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This week I was listening to Bayo Akomolafe talk about this feeling of overwhelm and how continually focusing on how to solve the world’s problems may be limiting us. Perhaps, he asserts, it is possible to use uncertainty instead. I have plenty of practice with uncertainty: I don’t know what to do about the water bottles in the woods or my homeless neighbors or gun violence or species die-off or the mess of late-stage capitalism. But when Laika draws me out under the sky and the rain hits our skin and the squirrels dash through the Fir branches and the Cedar shelters this tiny cache of human need I am suddenly aware of my connection to this great, groaning, speaking, moving Being that is Us, our world. “This world is promiscuous,” Akomolafe says, “it dances here and there, and new paths are always emerging.” It is in the listening, the connection, the waiting, he asserts, that we may be able to see the new ways of healing the world is devising for itself. Our culture abhors an unsolved problem, knows only the success of production and action, but for centuries there have been people who faced the world’s needs by retreating to lonely places to pray or chant or learn from the land. Maybe my daily visits to the trees are tapping into that quiet energy, maybe this nervous, sensitive dog that needs the woods is a deep calling to come away and learn. If so, I say yes.


Gathered from this week:

~ Robins - by Peter Johnston. A lovely little film that will help you exhale.

~ Hedgespoken Picturehouse - Are you tired of streaming, polished, image-heavy stories yet? Tom Hirons and Rima Staines have brought their traveling, off-grid, story caravan online for live storytelling. I haven’t listened/watched this yet, but I have plans for tonight with a glass of wine and my pjs. UPDATE: I listened this evening and it is marvelous! <3

Don’t miss Rima Staines’ amazing artwork either.

~Adam Zagajewski’s Mysticism for Beginners

I hope you find some quiet places for your soul this week. And as it was Mr. Rogers’ birthday on Saturday, let me just say, “I like you just the way you are.”

Peace and love,

tonia

March, Third week :: 2021

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I don’t have much time to write this week. I took a (nearly-empty) train north to help my son and his family with their new baby. She’s lovely and I am enjoying time spent with the other littles I haven’t seen much over these last months. We keep talking about how it feels like real change is coming, how soon we may be able to just visit each other without weeks of preparation and caution or that buzz of worry in the back of our minds that someone might have inadvertently exposed us to a terrible virus.

I am so looking forward to that day. <3


A couple of lovely things gathered this week:

~ Gather Victoria’s 30-Day Diary of Eating Wild Greens

~From Louise Erdrich, this incredible poem:

Birth

When they were wild
When they were not yet human
When they could have been anything,
I was on the other side ready with milk to lure them,
And their father, too, the name like a net in his hands.

And Baby Edie, of course:

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Wishing you all a lovely Equinox this weekend, whether you’re bringing in Spring or Fall. <3

Love,

tonia