January book giveaway

virgilwander.jpg

The newsletter should arrive in your inboxes on Thursday, and with it comes the return of the monthly book giveaway for U.S. subscribers. This month I’m giving away Leif Enger’s newest book, Virgil Wander, which is a warm, funny, life-nurturing story about a man who loses his memory and much of his language in an accident, and what happens when he starts to put it all back together. It’s one of my favorite books I read last year and I think it’s a lovely way to start off a new year.

All the details and how to enter in the January newsletter!

If you aren’t a subscriber yet, sign up here!

a helpful exercise

Even though I set myself a deadline, I find myself taking frequent breaks to watch the hearings on a live stream on my phone. There are so many of these hearings I’ve quit keeping track of what they are. At any rate, they all contain the same cast of characters leaning forward into mics, foreheads furrowed, cloak of righteousness and/or indignation. When they break for lunch or duties or press conferences, I write furiously, try to keep my characters from suddenly becoming indignant and/or righteous and/or spiraling into hopelessness at the demise of everythingtheyeverbelievedaboutdemocracy.

At regular intervals I have to stop and wrestle with the idea that two people, equally desirous of justice, can watch the same never-ending hearings and draw different conclusions. My brain does not want to accept this. Even now I do not want to write this down. I want both people to see the truth. Which is the way I see it. Which is the way all reasonable and justice-loving people see it. On my phone screen is a montage of interviews which defy my desire. A teenage girl in a Woodstock t-shirt flips off an alt-right reporter, a woman with hair the color of old foam scowls to a news network, it’s all a pack of lies and machinations. I make a mental note to use “machinations” in a sentence sometime soon.

I think about what I’ve learned from the Benedictines and the Buddhists and Mr. Rogers and the Pacifists, how everyone has goodness in them and it is our work to find and welcome it. I think about how peacemaking is listening and understanding the other side and I think how I’m tired of hearing the other side and I just want them to quit being wrong but I know that somewhere out there someone is thinking the same about me, and I stop for just a minute and sigh.

I take a break for lunch. The geese have been sleeping on the porch and I shoo them away. It is almost about to rain but I put on my boots and get the old broom and sweep away the mess they’ve made before a delivery driver or a neighbor decides to drop by unexpectedly as they did last week and had to tiptoe around piles of goose shit to reach the front door because I was down in my office writing my novel and didn’t know there was shit happening on the porch. I feel like this is a metaphor for my whole life but I don’t know exactly what it means. Also, I think, while I’m sweeping, that DISTRUST is the common denominator. None of us believes anyone anymore, so we go with the narrative we’ve already been constructing for a long time. This makes sense to me. My whole novel is about the fallout of broken fidelities. I decide that lunch is a bowl of peanut butter and chocolate chips and get back to work writing with renewed purpose.

On the checklist for “How to Be a Writer,” is point number 3: “Know who you are writing for.” There is a helpful exercise accompanying it: “Write a paragraph that states clearly who you are writing for.” This reminds me of the old Slylock Fox comics in the Sunday paper. “How to draw a Fox: Draw a circle. Now draw a square. Now draw a Fox.” At first I was discouraged, because how can I be a writer if I cannot even complete point number 3 on the checklist? Over time, I have realized that the exercise, like Slylock Fox’s drawing instructions, is pointless. You do not discover your readers by paragraphical declaration. You discover them by process of elimination. Is anyone still around after you have written your truth? That’s who you are writing for.

The hearings are done for the day and so now all there is left to do is reconstruct a future for myself which does not include despair. I write some more and I think about the readers who will read this novel and understand what I am saying about shit and cloaks of indignation and disbelief and truth and that little thread of hope that keeps us moving forward and I don’t feel quite so bad. Maybe I even feel like these are the machinations of hope: to be as real as we can be, to keep ourselves from easy categorizations, to make art, and conversation, and mistakes, and stands, and contradictions (I am large, I contain multitudes), and sense, and love, and dinner. I think about how much I want something to trust in again, and I look outside and see the geese are sitting on the porch and so I shoo them away and find the broom and I think, well, there’s that.

small shifts

dailyplanner.JPG

So often in my life, the biggest changes hinge on the smallest shifts. Just recently, in fact, I was with a friend and happened to see her daily planner. She was showing me some odd bit of something she’d collected and scribbled down for later. Her book, I noted, looked nothing like mine. I stared at her pages. They were perfectly ordinary, no elaborate decorations or cute drawings. No washi tape or fancy clips. But at that moment, a door in my mind swung wide open.

I’m a quasi-bullet journaler. By this I mean, I absorbed the idea of a planning notebook and I write down all my tasks in a neat row and check them off when they are done. At the beginning of the year I make an index in the front and never write anything in it except: “January, p 1.” Sometimes I keep one of those vertical calendars and then get confused by it. Occasionally I use a symbol to mark a task, then forget what the symbol means; later when I notice that task still hasn’t been done, I write it again in a daily task list. My task list includes everything I need to get done in a day: yoga, walk, clean bathrooms, water plants, call X, etc. It works for me.

My friend, as far as I could tell, used a similar method for keeping track of her to-do list: a list, some checkmarks. What caught my attention wasn’t her method, it was her content. She’s a busy woman with multiple jobs and a family. Her day probably has a hundred tasks she could put down and mark off. But her task list didn’t have any of the mundane suspects my own does. She didn’t write down, “feed animals,” like I do - as if I don’t feed the animals every single day of my life, as if somehow, if it doesn’t appear on a list I will just look blankly at the meowing cats and shrug, clueless as to why they keep bothering me. Instead, my friend’s book was a collection of her notes, inspirations, ideas, and specific tasks related to her art.

When I got home, I looked in my notebook and found endless lists of household chores. The same things every day on a rotating carousel. Monday always has “clean kitchen.” Thursday always has “meal plan.” If an archeologist digs up this book someday they will not know I am a writer. They will believe I spent every full day of my life cleaning and cleaning and cleaning some more. (Occasionally, you will find in a task list the all-purpose word “write.” That’s it.)

I’ve thought about this a great deal in the time since I saw my friend’s book, the reasons why such a complex and demanding part of my life rarely shows up in my own notebook. Part of it has to do with fear and claiming ownership of myself. It’s hard to fail at a task like “scrub toilets,” after all. Part of it has to do with a natural period of transition from one career to another, and this, I am still trying to work out.

But I do know this: the next day I didn’t write down anything I usually would. I didn’t note down that it was the day for cleaning bedrooms and doing laundry. I didn’t remind myself to exercise and give basic care to the animals. I wrote a detailed list of what needed to happen next in my novel. And when I came across things I needed to remember for writing articles or ideas for future posts, or notes for my newsletter, I wrote those down there too. Suddenly, my whole approach shifted. In the past, I have struggled to take the time for my writing work the way I should. I would sit down, write frantically for a couple hours, then look at my task list and see a whole list of chores still hanging over me. Now when I look at the page, there is nothing but the vital work calling to me and I am free to attend to it. Amazingly, so far, even without my lists, the house is still standing, the animals are alive and I am still clean and healthy.

Such a small, yet transformative shift.

I’d love to hear about the ways you nurture your own vocations.

peace keep you.

tonia

just keep moving...

octoberselfie.jpg

Happy November!

I snapped this photo on my way out the door for my morning walk yesterday. It fascinates me a little that I seem to always take pictures of myself for the internet outdoors, just out of bed and sans make-up. (It’s a long road from the 80’s teenager who wore a staggering amount of pearlized cosmetics and Aquanet and never let her appearance-guard down for a moment, even in the privacy of her own bedroom.)

I think I snap these photos because they represent moments when I feel happiest - on my way out of doors to move my body. That makes it sound like I’m one of those bouncy, energetic people who loves to be outdoors, but it’s not true. I’m actually a low-energy, low-stamina person who likes to be very, very comfortable all the time, pretty much what you’d expect from a writer. :) But somewhere along the line I decided that wasn’t going to serve me well and I needed to move. So I do, nearly every day. I keep it up because now that I’m in my late-forties (ouch) I find that not moving daily = stiffness, sore joints, back injuries, bad moods, mental fog, and weight gain. No thanks!

So many times I talk to people my age and older who think eating right and exercise are not worth the effort, or it’s too late for them to make any changes, but “too late” doesn’t happen until you’re dead! and feeling good is worth every bit of the self-discipline, even when it happens slowly (as it does for me.) Recently, I made an inspiration board for my husband and I and put it on the fridge to keep us motivated, pictures of older adults who are/were going strong with diet and exercise past the time others thought they should slow down. (Like Tao Porchon Lynch, Dr. Ellsworth Wareham, Rich Roll, Joan McDonald , and the fabulous Twyla Tharp among others!)

There’s always a transition period for me with the colder weather, and I’ll have a few days where I don’t want to leave the warm house, but if I just keep putting on my shoes and going out, eventually I start to look forward to those crisp mornings. It’s a better energy booster than caffeine to get me going for the day and I need that for all the hours I spend sitting in front of a screen.

November goals:

Move.

Eat more veggies.

Move some more.

(Oh, and finish the first draft of this novel! So close!)

peace keep you, friends,

tonia

what i do with myself

mushrooms1.jpg

October feels like returning home from a long and tiring trip. Home again to writing, early mornings in the dim little room next to the stairs, view of the woodpile. Cup after cup of tea, laundry humming in the dryer, garden slowly dying outside, to-do lists stacking like cordwood in my journal, breath prayers to keep it all from toppling. // In the morning, cold, my hands ache and the chickens’ feet are mottled red. Summer’s banishment was swift and I wonder about winter, feel the presence of it looming heavy, brittle, just out of sight. More wool socks, I think, another pair of waterproof gloves. Soon I’ll be breaking ice on the water buckets, scurrying to get back inside, my glasses fogging up when I cross the threshold. // France lives nine hours ahead. We text from our beds: her waking, me settling in for sleep, and again at midday, when she says goodnight. The afternoons are the loneliest. // At dinner we talk about the justice of various world economic systems - pick your poison, they all need to be vigilantly humanized - and wonder how to be free and just within our own. I want this in my bones. // I clean the pantry, scrub away the trail of some little creature who came looking for warmth and a meal; my husband lays a trap, rightly so, but I wipe peppermint oil on the shelves and secretly hope it will be deterrent enough. // The youngest discovers 70’s folk music and it plays all afternoon, I make bread out of buckwheat and sunflower seeds. The hippies were right about everything, we say, and laugh. // Someone asks me what I’m going to do with myself now, empty nest and all. Love, tend, grow. There is no economic system for that, it has to be carved belligerently from the one you inherited. // Once, many years ago, we pulled up an old log in the forest and under it curled a clutch of newborn mice, fat commas shuddering in the naked air, their flesh translucent and rose brown, their unopened eyes a tiny violet gem swelling beneath the skin.