resistance :: June 20, 2023

Once upon a time, last spring, a dozen small ducklings sailed in a box on the U.S.S. Postal Service and arrived at my door. The journey was short, but long. They traveled in the dark. Cold air seeped in through the holes in the box, the tiny cup of water ran dry. When I opened the hatch two days later, the ducklings peeped with relief and questions. I tipped them out onto the rug and they ran around in confused circles until I boiled an egg, chopped it into pieces, and floated it in the refilled water cup. The smell reminded them of home and tasted like a place they once knew. Their tiny heads got heavy and they fell asleep on the rug in a pile shaped like a box.

They grew and died, one by one. That same year in the woods a coyote family and a wandering bobcat grew sleek and clever on a diet of hopefully tended duck. When the slugs emerged the following spring to eat the daffodils, I mourned the gap in our small food-chain, but I did not open the emails from the hatchery. When I drove past the feed store, I stubbornly refused to read its announcements until hatchling season had come and gone.

It was not a time for ducklings. Everywhere, suddenly, people went to get a pint of ice cream, or a pair of pants, or a chance at a new life, and died. The people who were left began to run around in confused circles. No one knew what home smelled like anymore. Hardly anyone could sleep, but when they did, they lay alone in the dark, flinching at strange sounds and clicking their thirsty tongues.

My news feed in those days was buzzing with a story about a newly discovered flower somewhere west of the Pacific. It was a color no one had ever seen before (though the indigenous people of its home forest had a name for it so ancient it could no longer be pronounced). It would only bloom when held in the hand of a child still in its innocence. Beauty was in demand, as was innocence, so a black market of seeds sprang up almost instantly, but when the seeds arrived, the gardeners discovered all the children had grown up overnight. The seeds were put in the ground or thrown into the compost and forgotten. During this time, messiahs roamed the country selling sachets or truth serums, or more rarely, bottles of water said to quench every thirst.

One day I was sitting alone in my bedroom thinking of the ducklings. I remembered them sleeping, their bellies full of egg. It was foolish, but I took out my phone and looked at images of them fresh from the box: their downy yellow and black feathers, their dark little feet and beaks. There was a knock at the door; I answered it and found a woman standing there. I could tell immediately she was one of the messiahs. She had a slightly disheveled appearance and there was a twig in her hair. She spoke, but her voice was hoarse and I couldn’t understand her. This embarrassed me, so I looked down at her shoes. They were the kind of shoes you saw sometimes in old movies, little brown oxfords with a sensible heel, slightly scuffed. My thoughts about her softened. The woman rummaged in her bag. I did not want to buy truth serum or sachets, so I shook my head, but she held out her hand anyway. In the center of her palm was a shiny black seed. She put the seed in her mouth and swallowed it. When she opened her hand again, she was holding an egg.

“Come in,” I said immediately. She did. She took off her coat and set the egg on the table. We watched it for a moment to make sure it wouldn’t roll off. The egg was pale blue and incredibly beautiful.

“I would love some cake,” the woman said in her hoarse voice. I was startled. I began to say I had no cake, but the smell of baking had filled the room. On the table beside the egg was suddenly a cake, a pot of coffee.

“Of course,” I said, and we sat down together. The egg lay between us. Sometimes it rocked a little, as if something was inside — a small something, wanting to get out. We watched the egg and ate our cake. The rocking was so slight I sometimes thought I had imagined it.

“No one wants these anymore,” the woman said, hovering her coffee cup just above the egg’s trembling shell. Her voice was smoother now, but a little sad.

“I do,” I said, surprising myself. Between us, the egg was now shell pink. It became very still, almost as if it had never been alive. The woman and I glanced at each other and my cheeks grew hot at how bright my hope had been. She cleared her throat as if she might say something else, but then the egg give a little jolt. A crack appeared near the top. It widened until a small triangle of pink fell off. Beneath it, I could see a tiny, dark unfurling.

“It’s a petal!” the woman whispered.

“It’s a wing!” I shouted at the same moment.

At the sight of this small hatching, a word was on my tongue, a word so old I could almost remember how to say it. I whispered it out loud but not even my ears were quick enough to grasp it. The word curled itself into the air and out the window and spread across and across the sky.

Later, I gave the woman the spare bedroom. When I asked her name, she said, “Many lifetimes, all is coming.”* She was very tired. I politely removed the twig from her hair and left her alone to rest. The house was quiet, all the cake was gone. The egg was where we had left it, sitting in the center of the table, now green as a spring caterpillar, now purple as a bruise. It shed layers of shell, revealing first a glimpse of feathers, then a curl of leaf. It had been that way for hours, for days, for years. I went to the kitchen and got my big porcelain bowl, lined it with a towel and brought it back. As carefully as I could, I lifted the egg and held it for a moment. It was warm, pulsing with its hidden life. As I watched, its shell would crack and split then knit itself back together. Breaking and healing, breaking and healing. I brought it close to my face. It smelled like the damp rot of woods or the sharp saltiness of seahorses or the heat of blackberry leaves in August. I set it down as carefully as I could inside the bowl to wait.


*attributed to Sri K. Pattabhi Jois



Happy Solstice, my friends!

I’ve had that little story in my mind for weeks now. It felt right to get it on the page for this first day of summer. The world is as crooked and splintered as it’s ever been, but I’ve been listening to hope-givers lately. Sitting in the cool early morning sunshine. Weeding the oh-so-neglected garden in five minute bursts. Planting red flowers at every corner of the house. Reading one poem every day. Practicing yoga while it’s still dark. Learning the birds’ voices. Discovering a green heron, a trio of stags, a small ermine. Eating the strawberries as they ripen.

School is finished for the year! It’s been wonderful, exasperating, instructive, and challenging. I love it. But I’ve been looking forward to having the summer so I can get back to my own writing again. Of course, now that the summer is here, so is my internal resistance. I’m continually amazed at my ability to procrastinate about my art. If someone else gives me a task, no matter how inane, I will do it immediately. But I can endlessly put off writing or creating something of my own. Maybe you know the cycle? I plan to write first thing in the morning, but when the morning arrives I have a headache, or I didn’t sleep well, or I decide I really should clean the bathroom first. Or I actually sit down at my desk and write and then I am overwhelmed with fatigue and all I can think of is sleeping. If not fatigue, then a sudden conviction that I am on the wrong path and I was never supposed to write at all. That conviction can send me on an existential spiral for days (in which, of course, no writing gets done). It has taken me many years to recognize this pattern of resistance, but this year, I am more ready for it. I am finally at a place where I can start to ask why it happens. That’s going to be my focus this summer, actually, looking at whatever fear is keeping me from engaging with my own art.

Some things I am doing to conquer resistance and facilitate creativity this summer:

  • Re-reading Christian McEwen’s World Enough & Time very slowly

  • Journaling. So much journaling.

  • Limiting my screen/watching time by taking the browser off my phone (I already got rid of addictive apps) and reducing TV/movie watching to the bare minimum.

  • Walking without music/podcasts/audiobooks

  • Going to nature when I feel fatigue or other physical resistance

  • Setting specific, daily, SMALL, writing goals

  • Affirmations (e.g. My creativity is endless. I have time to write.)

  • Creating space for boredom (“It is in our idleness, in our dreams, that the submerged truth sometimes comes to the top.” ~ Virginia Woolf)

A few weeks ago around my birthday, I walked into town with a backpack of my old journals and sat in the park to read them. The combination of walking in silence and revisiting my old selves (I have many, don’t you?) was a pretty potent experience. At 52, I can see so much of my path now, can see how far I’ve come and how steadily I’ve kept to the same goals even though my experience day by day has not felt that way at all. I’ve been an indifferent journaler most of my life, but still, the words have accumulated. They’ve marked out the edges of my experience and my growth as a woman. I feel so grateful for all the imperfect attempts, all the scraps collected, all the longing and trying recorded there. I’ll keep at it. I have a feeling it’s going to unlock some good things for me this season.

I’d love to hear about your experiences with resistance, or your journaling practice, or whatever comes to mind. I always read your emails and comments and do my very best to respond to each one.

Thanks again for being here.

tonia

Some hope-givers I’ve enjoyed recently:

Reading:

Thinking about:

February, fourth week :: 2021

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I went out for a walk this morning, the first one in a while. The trail is just on the far side of winter now, right on the doorstep of spring. I could almost hear the nettles pulsing their fresh green heads beneath the mud. Another week? Two?

For our Northern Hemisphere ancestors, late February would have been a hungry time, the cold damp deep in the bones, the winter stores gone or withered of their vitality. I imagine some long-ago ancestress scanning the fields and woods for that first flash of green, the first sign that nourishment was coming. I live a very different life, but I find myself harboring the same February ache, searching my own fields for something fresh and life-giving. You too?

I made the rounds the other day online, doing my civic duty to stay informed and aware, and I wondered if the news has ever been such a late-winter place, full of muck and weariness. I came away spattered with our local version, a sneering kind of mud, supercilious and cynical, that clings to the mind long after.

I have to be careful with that kind of thing, because cynicism and superciliousness come too easy to me. Writing has been a way to resist it, to grow, by the force of words, something green and hopeful within myself. I wrote myself a note that day: You are not an outrage factory.

I keep thinking of something Barry Lopez wrote about his friend, Brian Doyle, whose life and work mentors me constantly:

You were … the example that keeps us from despair, cynicism, detachment, and the other poisons bred in the bowels of our complex lives.

You walked in beauty, my dear friend. We all watched.

And now it is our turn.


(So. You are not an outrage factory. You are a lamp, made to be filled with light, a bowl of herbs, pungent with healing, a circle of arms for welcome. Your eyes are made for far-seeing and uncovering hope. This, this, this, is you.)



A handful of things from the week:

"The Peace of Wild Things" by Wendell Berry is part of our "Poetry Films" series, which features animated interpretations of beloved poems from our archive. ...

H/T: Rachel

~ This post from Susan about where writers work. Some lovely and inspiring photos. (Wendell Berry {happy sigh.} And despite my love for huge bookcases, Nigella Lawson’s space is giving me a bit of claustrophobia!)

~ Saturday’s full moon is the Snow Moon, the last full moon of winter. I’m going to make something simple for dinner, in keeping with the late-winter theme. (Maybe a nightshade-free version of colcannon and some sausages? I might splurge on dessert though.) If the weather cooperates, we’ll spend some time under the moonlight. <3

~ Exploring the work of Caroline Shaw after reading about her in The Atlantic. Here’s a nice introduction.

I’ll leave you with something from Brian Doyle:

The coolest most amazing people I have met in my life, I said, are the ones who are not very interested in power or money, but who are very interested in laughter and courage and grace under duress and holding hands against the darkness, and finding new ways to solve old problems, and being attentive and tender and kind to every sort of being, especially dogs and birds, and of course children.

Let’s hold hands against the darkness, shall we?

tonia

May Day

May 1st is one of my favorite days. Not only is it the beginning of the most beautiful month here at Fernwood (thanks to the former owner who planted for spring) but it’s also my husband’s birthday and May Day/Beltane. So many lovely things to celebrate all packed into one day!

“Now is the moment to flourish and thrive: to open our hearts and welcome meaningful connection with nature and with each other, and to revel in the joys and blessings of being alive in this beautiful world. It's no easy task at such a difficult and uncertain time, but if anything the spirit of Beltane is an important reminder to seek and offer support wherever we can, and to find beauty and contentment in the simplest of things.” ~ from the Folk + Field newsletter  

I have plans to gather some hawthorn branches and make some bouquets, plant some potatoes and sunflower seeds, and of course there will be a special birthday meal, and if the weather holds, our first outdoor fire. I find these little rituals so helpful in transitioning to a new season. (And we are on the cusp of more than just summer as we begin to enter a new phase with the pandemic. It feels more important than ever to ground and center, doesn’t it?)

Here at home I am leaning into some new writing rhythms that are working well and I have a head full of ideas. I just need more time (and er…discipline) to translate them to the page, but it’s hard to be disciplined when Mama Earth is being so beautiful and showy right now! I’ve learned though, that creative work is not just about the number of hours you force yourself to work but the amount of time you open yourself to life, to allowing the beautiful and the difficult things to work on your spirit and sharpen your senses. We live in a time of striving for notice and a certain type of accomplishment, but there is a lovely synergy and freedom that happens when you let that go and spend that striving time caring for your soul instead.

My Beltane prayer for you:

Peace to your heart.

Peace to your mind.

Peace in the letting go.

Peace in the receiving.

Peace in the being, just as you are.

Just as you are.

Peace, peace, peace to your soul.

<3

I’ll leave you with these little glimpses of home:

on my work desk.

on my work desk.

dreaming of next spring….

dreaming of next spring….

daily harvest

daily harvest

kale magic

kale magic

patience….

patience….

rewarded.

rewarded.

Oh my Heart. &lt;3&lt;3&lt;3

Oh my Heart. <3<3<3

Happy May Day, my friends.

So much love.

tonia

"lead is not gold..."

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“For many of us, wound means truth. In a sugared world, holding your gaze to something broken, bereft or damaged seems like the deepest, most articulate position we can take. We see this move all the way through the modern arts. It’s what gets the big grants. Myths say no. The deepest position is the taking of that underworld information and allowing it to gestate into a lived wisdom that, by its expression, contains something generative. The wound is part of a passage, not the end in itself. It can rattle, scream and shout, but there has to be a tacit blessing, or gift, at its core.

Many stories we are holding close right now have the the scream but not the gift. It is an enormous seduction on behalf of the West to suggest that jabbing your pen around in the debris of your pain is enough. It’s not. That’s uninitiated behaviour masquerading as wisdom. Lead is not gold, no matter how many times you shake it at the sun.”

~ Dr. Martin Shaw, “Small gods”



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“The myth I hold is not that of the curse on the family, the guilt hovering forever as a result of a bad deed; but instead the vision of life haunted by some unerasable good deed: a life that can’t lose for long, or at least forever.  Not Oedipus doomed, but Aeneas bearing the unshruggable potential for later life  - this is the pattern I note.”

~ William Stafford, The Answers Are Inside the Mountains




we'll be wanting voices...

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“Hard times are coming, when we’ll be wanting the voices of writers {painters, poets, photographers, artists, bakers, sculptors, musicians….} who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom - poets, visionaries - realists of a larger reality.”

~ Ursula K. LeGuin {addition, mine}